The Leonetti 2010 Merlot - which, unlike any preceding vintage save for 2000 and 2008, was blended with no other variety - offers a perfect validation of Chris Figgins's intention to render a serious, self-standing wine from this grape capable of starring in Washington if given the right, sufficiently clay-rich and thermally temperate sort of site. Fresh dark cherry and purple plum already announced in the nose take on a delightful primary juiciness and invigoratingly tart fruit skin edge on a fine-grained palate. This is so exuberantly juicy and saliva-stimulating in its long, lip-smacking finish - a feature no doubt enhanced by bottling after only 14 months in barrique, and justifying the release of Leonetti Merlots a year ahead of their other wines - that you can't possibly take just one sip. Piquant fruit pit, crushed stone, and peat add interest and stimulation to an energetic yet lusciously ripe and richly-textured effort whose longevity will, I predict, surprise most wine lovers (perhaps even its authors?) and extend for more than a dozen years. The intended Merlot self-sufficiency on exhibit here is furthered by Figgins' increasing reliance on grapes from their relatively cool, long-ripening Mill Creek Upland Vineyard, with fruit from Seven Hills or Loess more apt to end up being selectively blended into their other reds or sold off. Just shy of two decades on in the history of Walla Walla's first bonded winery and one of Washington State's greatest vinous success stories, pioneer Gary Figgins and his son Chris (who had just gotten his horticultural degree and joined the family business) embarked on a path of re-directing, indeed re-creating Leonetti Cellars as an estate bottler and farmer of the local terroir. In the summer of 1996, the Figginses became partners in the emerging Seven Hills Vineyard south of Walla Walla. The following winter, severe frost drastically cut their supply of fruit from established Yakima Valley vineyards, encouraging a decision to invest in sites of their own nearer home. Chris Figgins chose the spot that the following year became Mill Creek Upland Vineyard - then the rare instance of a family wheat farm for sale, and at a price that raised not just locals' eyebrows but ire; and in 2002 Loess Vineyard was planted 17 miles away and adjacent to the winery, with lay-out and clonal diversity predicated on the family's by then extensive experience at Seven Hills and Upland. (For an account of Chris Figgins's next expansionary step, see my coverage of Figgins Family Wine Estates in this report.) These three Leonetti estate vineyards offer a vivid example of Walla Walla microclimatic diversity (and that's without even venturing across the line into Oregon and the cobbles of Milton-Freewater or the as yet largely undeveloped higher Blue Mountain foothills), which make for a typically month-long harvest, not to mention for a corresponding diversity of raw materials from which to achieve wines of balance and complexity or - if desired - site-specificity. (Figgins gave me a chance in March to sample unblended lots from barrel that confirmed the striking differences of personality accruing to each site.) The younger Figgins officially took over as winemaker from his father in 2006, and even a very occasional taster of Leonetti wines - as I was until this year - could not fail to detect a change in style over the past decade, one Chris Figgins is quite willing to directly address. "In the '90s, I'd say my dad made Michel Rolland wines before Michel Rolland (influenced Washington winemaking). People loved them. Here was something that was so ripe, so evolved, so in-your-face. Honestly, that's kind of what initially made the name of Leonetti to (the point of) a cult-like status were these wines that drank great out of the gate. When I gradually took over, I said 'Look, we're doing all this stuff in our vineyard. I don't want to be a style-driven winemaker; I want to be vineyard-driven." American oa